2010
2009
2008
2007
 
Aleš Votava
1. December 2006 - 25. February 2007
 
Flying Dutchmen
14. December 2006 - 18. Marec 2007
 
Restored Works of Art from the Collection of the Slovak National Gallery
Francesco Furini - Mária Magdaléna

January 2007 - December 2007
 
From the Aquisitions of Contemporarz Art
Objects & Installations

8. Marec 2007 - August 2007
 
David Hockney: Words&Pictures
Four Print Portfolios 1961-1977

21. Marec 2007 - 3. June 2007
 
One Hundred 17th Century Italian Drawings
Collection of A. Martin Lublinský The Scientific Library of Olomouc

6. April 2007 - 24. June 2007
 
Milan Bočkay
Dolphin in the Forest or the Praise of Paradox

18. April 2007 - 29. July 2007
 
Insita 2007
24. June 2007 - 30. September 2007
 
Form Follows... Risk
14. August 2007 - 14. October 2007
 
Lost Time?
Slovakia 1969 – 1989 in Documentary Photography

31. October 2007 - 2. Marec 2008
 
The Return of Štefan Schwartz
6. December 2007 - 17. February 2008
 
2006
2005
2004
 
Restored work from the Collection of the Slovak National Gallery Christian Rugendas after Johann Lorenzo Haid: University Thesis of Franciscan Friars with the Motif of Penitent St Peter 1738
Water Barracks, 1st floor, buttress
1. June 2005 - 31. December 2005
 
Restored by Jana Krajčovičová (2004)
Curator Martin Šugár

 
Conservator‘s studio
 
University theses were commemorative copies announcing a public defence of particular subjects of students’ theses. Their publishing culminated in the 1730s, the time when the thesis from the collection of the Slovak National Gallery originated. This extraordinary copy is printed on silk used for gift copies for protectors of discussion. In the context of the work of Johann Lorenzo Haid and Christian Rugendas, the leading Augsburg artists, this thesis is among the works displaying a distinctly moderate form. Ten years later, the same artists used a slightly changed face of St Peter as a model for a more narrative thesis of Leopold Mach from Bechyně (the Klementinum collection in Prague). The exhibition is a free continuation of the exhibition of another work restored in 2001 (Gustav Andreas Wolfgang: Illumination in Frankfurt, a commemorative scroll welcoming Emperor Charles VII. 1743). Both works are printed on silk and therefore similar methods of restoration and conservation were used.

 
up

 
detail 1
 
detail 2
 
Ch. Rugendas podľa J. L. Heida: Univerzitná téza františkánských frátrov s motívom kajúceho sv. Petra, 1738.
 
 

 

 

 

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