2010
2009
 
2. Russian avant-garde. Non-conformists from the Bar-Gera collections
14. November 2008 - 22. February 2009
 
Eva Kmentová
8. January 2009
 
OSEMDESIATE
Postmoderna slovenskom výtvarnom umení
Retrospektíva 1985 – 1992

8. April 2009 - 30. August 2009
 
Modernice!
20. May 2009 - 21. June 2009
 
Carte Futuriste / Futuristic Drawings
100 Years of Futurism

17. June 2009 - 26. July 2009
 
Mudroch & Mudroch
The Dialogue That Never Took Place

18. September 2009 - 15. November 2009
 
The Brussels Dream
Czechoslovak Participation at the EXPO 58 World Exhibition in Brussels and the Lifestyle of the First Half of the 1960s

24. September 2009 - 15. November 2009
 
Juraj Bartoš
8. October 2009 - 29. November 2009
 
Renaissance
The History of Slovak Fine Art

18. December 2009 - 28. Marec 2010
 
2008
2007
2006
2005
2004
 
No Code. Contemporary Italian Art
Esterházy Palace, 1st and 2nd floors
3. June 2005 - 28. August 2005
 
In co-operation with the Italian Cultural Institute in Bratislava
Organiser: Incontri Internazionali d´arte a Roma
Curator: Cecilia Casorati
SNG co-operation: Beata Jablonská
rádio spot (mp3)
 
The exhibition presents a group of eleven artists (Elisabetta Benassi, Maurizio Cannavacciuolo, Daniela de Lorenzo, Marcello Maloberti, Otonella Mocellin, Nicola Pellegrini, Liliana Moro, Luca Pancrazzi, Cristiano Pintaldi, Elisa Sighicelli, Enzo Umbaca) known on the Italian and international art scenes. The title No Code suggests that the exhibition shows a wide range of contemporary Italian art. The presentation of eleven artists is not based on a “common denominator”, which would restrict the artists thematically. However, they share an affinity with modern visual language represented in painting, object, photography and video installation.


 
up

 
Ottonella Mocellin, Nicola Pellegrini - Forever in debt
 
Daniela De Lorenzo
 
Ottonella Mocellin, Nicola Pellegrini - This mess we´re in, 2002
 
Elisabetta Benassi - Mirages, 2005
 
Cristiano Pintaldi - 11 settembre 2001, 2002
 
Cristiano Pintaldi - Aereo, 2003
 
 

 

 

 

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