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2010
2009
2. Russian avant-garde. Non-conformists from the Bar-Gera collections
14. November 2008 - 22. February 2009
Eva Kmentová
8. January 2009
OSEMDESIATE
Postmoderna slovenskom výtvarnom umení
Retrospektíva 1985 – 1992
8. April 2009 - 30. August 2009
Modernice!
20. May 2009 - 21. June 2009
Carte Futuriste / Futuristic Drawings
100 Years of Futurism
17. June 2009 - 26. July 2009
Mudroch & Mudroch
The Dialogue That Never Took Place
18. September 2009 - 15. November 2009
The Brussels Dream
Czechoslovak Participation at the EXPO 58 World Exhibition in Brussels and the Lifestyle of the First Half of the 1960s
24. September 2009 - 15. November 2009
Juraj Bartoš
8. October 2009 - 29. November 2009
Renaissance
The History of Slovak Fine Art
18. December 2009 - 28. Marec 2010
2008
2007
2006
2005
2004
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The Scene of Miracles. Transformations of Baroque Altar Water Barracks, 2nd floor, hall 7 24. June 2005 - 28. August 2005 Curator Katarína Chmelinová SNG Wide open – Baroque altar. Tradition – space – author – miracle Opening: 23 June 2005, 5.00 p.m. From the art-historical perspective, this altarpiece represents one of the essential commissions and memorable objects of religious art. After the Middle Ages, the Baroque is another period, which marked the heyday of altar creation. The actual altarpieces represent a joint work consisting of several art forms creating a final piece. At the time of their origin they were understood as representative works with emphasis on a sumptuous and refined decoration. In contrast with the neighbouring countries, the art of altarpiece in Slovakia lacked sufficient attention. The creation of altars on the territory of the present Slovakia came under the influence of Vienna, in the north it drew inspiration from Poland, which mediated the stimuli from Italy and Germany. The exhibition aims at tracing the typological transformations of altars in the 17th and 18th centuries and their relationship with Central Europe. The development ranging from retables bound to the plane through a-tectonic constructions to illusive spatial forms of the 18th century is documented in drawings, models and concrete works or their parts. At the same time the project tracing the transformations of the Baroque altar is an introduction to a series of typological exhibitions aimed at studying artistically created furniture and accessories of church interiors, such as Baroque pulpits and epitaphs. up | |
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