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2010
2009
2008
2007
Aleš Votava
1. December 2006 - 25. February 2007
Flying Dutchmen
14. December 2006 - 18. Marec 2007
Restored Works of Art from the Collection of the Slovak National Gallery
Francesco Furini - Mária Magdaléna
January 2007 - December 2007
From the Aquisitions of Contemporarz Art
Objects & Installations
8. Marec 2007 - August 2007
David Hockney: Words&Pictures
Four Print Portfolios 1961-1977
21. Marec 2007 - 3. June 2007
One Hundred 17th Century Italian Drawings
Collection of A. Martin Lublinský The Scientific Library of Olomouc
6. April 2007 - 24. June 2007
Milan Bočkay
Dolphin in the Forest or the Praise of Paradox
18. April 2007 - 29. July 2007
Insita 2007
24. June 2007 - 30. September 2007
Form Follows... Risk
14. August 2007 - 14. October 2007
Lost Time?
Slovakia 1969 – 1989 in Documentary Photography
31. October 2007 - 2. Marec 2008
The Return of Štefan Schwartz
6. December 2007 - 17. February 2008
2006
2005
2004
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The Scene of Miracles. Transformations of Baroque Altar Water Barracks, 2nd floor, hall 7 24. June 2005 - 28. August 2005 Curator Katarína Chmelinová SNG Wide open – Baroque altar. Tradition – space – author – miracle Opening: 23 June 2005, 5.00 p.m. From the art-historical perspective, this altarpiece represents one of the essential commissions and memorable objects of religious art. After the Middle Ages, the Baroque is another period, which marked the heyday of altar creation. The actual altarpieces represent a joint work consisting of several art forms creating a final piece. At the time of their origin they were understood as representative works with emphasis on a sumptuous and refined decoration. In contrast with the neighbouring countries, the art of altarpiece in Slovakia lacked sufficient attention. The creation of altars on the territory of the present Slovakia came under the influence of Vienna, in the north it drew inspiration from Poland, which mediated the stimuli from Italy and Germany. The exhibition aims at tracing the typological transformations of altars in the 17th and 18th centuries and their relationship with Central Europe. The development ranging from retables bound to the plane through a-tectonic constructions to illusive spatial forms of the 18th century is documented in drawings, models and concrete works or their parts. At the same time the project tracing the transformations of the Baroque altar is an introduction to a series of typological exhibitions aimed at studying artistically created furniture and accessories of church interiors, such as Baroque pulpits and epitaphs. up | |
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