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2010
2009
2. Russian avant-garde. Non-conformists from the Bar-Gera collections
14. November 2008 - 22. February 2009
Eva Kmentová
8. January 2009
OSEMDESIATE
Postmoderna slovenskom výtvarnom umení
Retrospektíva 1985 – 1992
8. April 2009 - 30. August 2009
Modernice!
20. May 2009 - 21. June 2009
Carte Futuriste / Futuristic Drawings
100 Years of Futurism
17. June 2009 - 26. July 2009
Mudroch & Mudroch
The Dialogue That Never Took Place
18. September 2009 - 15. November 2009
The Brussels Dream
Czechoslovak Participation at the EXPO 58 World Exhibition in Brussels and the Lifestyle of the First Half of the 1960s
24. September 2009 - 15. November 2009
Juraj Bartoš
8. October 2009 - 29. November 2009
Renaissance
The History of Slovak Fine Art
18. December 2009 - 28. Marec 2010
2008
2007
2006
2005
2004
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Restored work from the Collection of the Slovak National Gallery Christian Rugendas after Johann Lorenzo Haid: University Thesis of Franciscan Friars with the Motif of Penitent St Peter 1738 Water Barracks, 1st floor, buttress 1. June 2005 - 31. December 2005 Restored by Jana Krajčovičová (2004) Curator Martin Šugár Conservator‘s studio University theses were commemorative copies announcing a public defence of particular subjects of students’ theses. Their publishing culminated in the 1730s, the time when the thesis from the collection of the Slovak National Gallery originated. This extraordinary copy is printed on silk used for gift copies for protectors of discussion. In the context of the work of Johann Lorenzo Haid and Christian Rugendas, the leading Augsburg artists, this thesis is among the works displaying a distinctly moderate form. Ten years later, the same artists used a slightly changed face of St Peter as a model for a more narrative thesis of Leopold Mach from Bechyně (the Klementinum collection in Prague). The exhibition is a free continuation of the exhibition of another work restored in 2001 (Gustav Andreas Wolfgang: Illumination in Frankfurt, a commemorative scroll welcoming Emperor Charles VII. 1743). Both works are printed on silk and therefore similar methods of restoration and conservation were used. up | |
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