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2010
2009
2008
2007
Aleš Votava
1. December 2006 - 25. February 2007
Flying Dutchmen
14. December 2006 - 18. Marec 2007
Restored Works of Art from the Collection of the Slovak National Gallery
Francesco Furini - Mária Magdaléna
January 2007 - December 2007
From the Aquisitions of Contemporarz Art
Objects & Installations
8. Marec 2007 - August 2007
David Hockney: Words&Pictures
Four Print Portfolios 1961-1977
21. Marec 2007 - 3. June 2007
One Hundred 17th Century Italian Drawings
Collection of A. Martin Lublinský The Scientific Library of Olomouc
6. April 2007 - 24. June 2007
Milan Bočkay
Dolphin in the Forest or the Praise of Paradox
18. April 2007 - 29. July 2007
Insita 2007
24. June 2007 - 30. September 2007
Form Follows... Risk
14. August 2007 - 14. October 2007
Lost Time?
Slovakia 1969 – 1989 in Documentary Photography
31. October 2007 - 2. Marec 2008
The Return of Štefan Schwartz
6. December 2007 - 17. February 2008
2006
2005
2004
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Juraj Bartoš Esterházy Palace, 3rd floor 8. October 2009 - 29. November 2009 Exhibition Curator: Aurel Hrabušický Juraj Bartoš / Press Release This exhibition and publication introduces the work of one of the most significant contemporary photographers-documentarists in Slovakia. Juraj Bartoš took photographs at cultural events of various kinds over the course of several decades. He contributed to fashion magazines, but he especially documented what was not interesting for the media before 1989. He operated almost exclusively in exteriors, in the urban environment in particular and became one of the first true documentarists – because unlike reporters, he did not exclusively take photos of visually attractive situations. He systematically worked on collecting photographic testimonies from a selected environment and a regularly repeated event. At times, his documentations grew into a complex ethnological or cultural- anthropological photographic testimony on a given environment and time. He pays special attention to random texts and item clusters frequently revealing ironic contexts. But he is most interested in the anonymous people of the street – as human types and concrete individuals at the same time – he creates momentary and psychological portrait studies of people lost in the crowd. up | |
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