2010
2009
2008
 
Lost Time?
Slovakia 1969 – 1989 in Documentary Photography

31. October 2007 - 2. Marec 2008
 
The Return of Štefan Schwartz
6. December 2007 - 17. February 2008
 
Czech and Slovak Glass in Exile
27. February 2008 - 11. May 2008
 
Rudolf Sikora. On one’s own account against oneself
1. April 2008 - 15. June 2008
 
111 Works of Art from the SNG collection
27. June 2008 - 5. October 2008
 
All about the Museum
27. June 2008 - 5. October 2008
 
Open for 60 Years
27. June 2008 - 5. October 2008
 
2. Russian avant-garde. Non-conformists from the Bar-Gera collections
14. November 2008 - 22. February 2009
 
2007
2006
2005
2004
 
Milan Bočkay
Dolphin in the Forest or the Praise of Paradox

18. April 2007 - 29. July 2007
 
Cooperation Katarína Bajcurová, Jiří Valoch, Rudolf Fila
 
The retrospective exhibition of Milan Bočkay (born 1946) shows the artworks of the creator of the programme of analytical painting based on the principle of trompe-l’oeil. The title of the exhibition paraphrases Horace’s statement and refers to Bočkay’s preference for visualising paradoxes. The focus of his artistic concept lies in the age-old question of art and illusion, reality and fiction. What is painted and what is real? Where does the border between delusion and illusion lie? These questions are resolved in an elaborate, almost old masters’ technique, however, he explores newly defined artistic questions: relations between painting and drawing, surface and space, illusion and illusion’s illusion. Nevertheless, multiple illusions of spatial planes and basic means of expression lead the painter to a more general reflection upon the spiritual essence of the painting medium.

 
up

 
M. Bočkay - Belle matiere, 1988. Olej na plátne
 
M. Bočkay - Belle matiere III, 1988. Olej na plátne
 
M. Bočkay - Papier LVI, 1986. Olej na plátne
 
M. Bočkay - Papier XXXI, 1980. Olej na plátne
 
M. Bočkay - Zahustená lineárna kresba, olej na plátne
 
 

 

 

 

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