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2010
2009
2008
2007
2006
Slovak Myth
30. September 2005 - 28. February 2006
Mary of Hungary
2. February 2006 - 30. April 2006
Vladimír Havrilla
23. Marec 2006 - 4. June 2006
Artworks from the Collection of the Museum of Modern Art of Saint - Étienne Métropole
7. April 2006 - 28. May 2006
Andy Warhol – the Last Return of the King of Pop Art So Far
17. May 2006 - 15. June 2006
Figures and Episodes from the Old Testament
From Dürer to Chagall
25. May 2006 - 20. August 2006
Autopoesis
20. June 2006 - 3. September 2006
Ukiyo-e
Japanese Colour Woodblock Prints
7. September 2006 - 5. November 2006
Jindřich Štreit. Photography 1965–2005
Calendars for Jindra Štreit
20. September 2006 - 12. November 2006
Something Happened – Aspects of New Narratives
27. September 2006 - 26. November 2006
Aleš Votava
1. December 2006 - 25. February 2007
Flying Dutchmen
14. December 2006 - 18. Marec 2007
2005
2004
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The Scene of Miracles. Transformations of Baroque Altar Water Barracks, 2nd floor, hall 7 24. June 2005 - 28. August 2005 Curator Katarína Chmelinová SNG Wide open – Baroque altar. Tradition – space – author – miracle Opening: 23 June 2005, 5.00 p.m. From the art-historical perspective, this altarpiece represents one of the essential commissions and memorable objects of religious art. After the Middle Ages, the Baroque is another period, which marked the heyday of altar creation. The actual altarpieces represent a joint work consisting of several art forms creating a final piece. At the time of their origin they were understood as representative works with emphasis on a sumptuous and refined decoration. In contrast with the neighbouring countries, the art of altarpiece in Slovakia lacked sufficient attention. The creation of altars on the territory of the present Slovakia came under the influence of Vienna, in the north it drew inspiration from Poland, which mediated the stimuli from Italy and Germany. The exhibition aims at tracing the typological transformations of altars in the 17th and 18th centuries and their relationship with Central Europe. The development ranging from retables bound to the plane through a-tectonic constructions to illusive spatial forms of the 18th century is documented in drawings, models and concrete works or their parts. At the same time the project tracing the transformations of the Baroque altar is an introduction to a series of typological exhibitions aimed at studying artistically created furniture and accessories of church interiors, such as Baroque pulpits and epitaphs. up | |
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