2010
2009
2008
 
Lost Time?
Slovakia 1969 – 1989 in Documentary Photography

31. October 2007 - 2. Marec 2008
 
The Return of Štefan Schwartz
6. December 2007 - 17. February 2008
 
Czech and Slovak Glass in Exile
27. February 2008 - 11. May 2008
 
Rudolf Sikora. On one’s own account against oneself
1. April 2008 - 15. June 2008
 
111 Works of Art from the SNG collection
27. June 2008 - 5. October 2008
 
All about the Museum
27. June 2008 - 5. October 2008
 
Open for 60 Years
27. June 2008 - 5. October 2008
 
2. Russian avant-garde. Non-conformists from the Bar-Gera collections
14. November 2008 - 22. February 2009
 
2007
2006
2005
2004
 
The Scene of Miracles. Transformations of Baroque Altar
Water Barracks, 2nd floor, hall 7
24. June 2005 - 28. August 2005
 
Curator Katarína Chmelinová

 
SNG Wide open – Baroque altar. Tradition – space – author – miracle
 
Opening: 23 June 2005, 5.00 p.m.
From the art-historical perspective, this altarpiece represents one of the essential commissions and memorable objects of religious art. After the Middle Ages, the Baroque is another period, which marked the heyday of altar creation. The actual altarpieces represent a joint work consisting of several art forms creating a final piece. At the time of their origin they were understood as representative works with emphasis on a sumptuous and refined decoration. In contrast with the neighbouring countries, the art of altarpiece in Slovakia lacked sufficient attention. The creation of altars on the territory of the present Slovakia came under the influence of Vienna, in the north it drew inspiration from Poland, which mediated the stimuli from Italy and Germany. The exhibition aims at tracing the typological transformations of altars in the 17th and 18th centuries and their relationship with Central Europe. The development ranging from retables bound to the plane through a-tectonic constructions to
illusive spatial forms of the 18th century is documented in drawings, models and concrete works or their parts. At the same time the project tracing the transformations of the Baroque altar is an introduction to a series of typological exhibitions aimed at studying artistically created furniture and accessories of church interiors, such as Baroque pulpits and epitaphs.

 
up

 
Gode - Návrh Oltára Ukrižovania pre Kostol Nanebevzdania Panny Márie, 1751 - 1752
 
Neznámy stredoeurópsky autor - Domáci oltárik, okolo 1750, majetok SNM - HM Bratislava
 

 

 

 
 

 

 

 

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